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 * Revue de shoesing #8 *   
Published: 23 hours ago   [ submited by ]

C’est l’heure de la “Revue de shoesing” du mois de février avec quelques perles dénichées pendant les dernière démarques, j’en ai profité pour agrandir ma collection de chaussures à paillettes. Là je pense que j’ai fait le plein, il est temps de m’arrêter.

Pour découvrir les dernières adoptions shoesing c’est par ici.

Bottines Marina Rinaldi

Dans la boutique Marina Rinaldi de Turin, sous mes grands yeux tout ronds je découvre cette paire indisponible en France. La version léo de mes bottines pony noires vues en look lundi ici.

Pour rappel les marques italiennes en Italie sont 28% meilleures marché qu’en France et à cela ajoutez les soldes -40%, j’avoue j’ai vite cédé!

Ellos

J’ai sauté sur l’occasion pendant les soldes, j’ai réussi à cumuler solde + code de réduction au final ces petites beautés m’ont coûté moins de 20 euros frais de port compris. Si elles vous tente, elles sont toujours disponibles sur l’e-shop, également en noir, hélas elles ne sont plus soldées (ici).

New look

Jeudi dernier avait lieu la journée coaching shopping chez New Look avec les 3 gagnantes de mon blog (Lison – Isabellet et Maeva) et je n’ai pas pu m’empêcher de remplir mon panier de petites merveilles à 15 euros! Les deux paires sont de la gamme wide feet chez New Look, un must de confort pour tout petit prix pourquoi s’en priver! Des chaussures de lumières à découvrir bientôt dans une tenue du jour.

Zara

Une jolie paire de derbies qui vient s’ajouter à la famille des chaussures plates, pour gambader c’est indispensable une paire en or qui brille. Non?

Love Moschino

Love Moschino je vous en parle déjà depuis quelques temps, ce sont des souliers haut de gamme d’un confort absolu pour une qualité exceptionnelle. Des détails, des finitions, un chausson doux et agréable, bref je pense que ma collectionnite de Love Moschino ne va pas s’arrêter là.

Pour cette paire néanmoins j’ai fait une erreur. Je fais une vraie demie pointure et ça peut paraître accessoire mais le 39 est souvent trop juste et le 40 souvent un poil trop large. D’habitude je prend un 40 et je rajoute au talon un petit anti-glisse, mais là j’ai voulu tester le 39. Et damned elles sont un poil juste, il m’aurait fallu le 40, si par hasard l’une d’entre vous possède ce modèle en 40 et que vous désirez vous en séparer ou l’échanger, contactez moi!

Love Moschino

La paire que vous avez découvert lors de ma “renaissance” lundi passé, en tenue du jour ici.

paillasson “Make a wish” chez Maginea.com

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 Erica Uncensored!   
Published: 2 days ago   [ submited by ]

For those of you who have seen my latest offering on eBay here is the uncensored version…
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 Heat and Craft   
Published: 2 days ago   [ submited by ]

By Lisabet Sarai

I’m starting to wonder whether craft is the enemy of heat.

My first novel poured from my imagination onto the page in a breathless rush of passion. Looking back, I remember the process as almost effortless. Nothing seemed to block the flood of fantasy. My heroine Kate was my personal proxy, indulging in ever more transgressive erotic scenarios as she explored her sexual identity. As she surrendered to her master Gregory, I was reliving and perfecting my own odyssey of submission and then moving beyond recollection to conjure the imagined scenes I never had the opportunity to try. I wrote the whole book in a peculiar state of arousal – not exactly on the edge of orgasm, but with an exaggerated appreciation of every sexual stimulus, both internal and external.

Readers of Raw Silk tend to get turned on. The book has been called “scorching”, “outrageous”, “intensely erotic”, and “explosive”. And when I reread my favorite bits now, they still make me wet.

At the same time, I cringe when I notice the many flaws in the book. My sentences seem too long and complex, overly influenced by my academic training. The dialog strikes me as unrealistic and wooden. (This was before I learned to allow my characters to use contractions when they speak!) Repeated words, phrases and sentence structures jump out at me. And I realize, with a sinking heart, that some of the interactions that have the most visceral effect on me are overworked BDSM clichés.

In the dozen years since that first publication, I’ve matured as a writer. My prose is far more polished, less flowery and more direct. My characters can converse without sounding as though they’ve been filtered through Google Translate. I have conscious control over issues I used to manage by instinct – foreshadowing, flashbacks, suspense, sexual tension, narrative flow. Originality in premise and execution have become critical concerns. When I address a theme or a subgenre, I deliberately try to find a treatment or a twist to distinguish my work from the thousands of other authors writing erotica and erotic romance.

I was an amateur back then. Now I’m a professional. All my self-conscious craft, though, seems to have smothered the spark that used to kindle my readers (and me) into vicarious flames.

It’s much more difficult now to write a truly sexy scene. There’s too much going on in my head. Instead of simply reveling in my personal perversions, I worry. Is this too stereotyped? Is this too raw for romance? Is this too tame for erotica? Haven’t I written this same thing a million times before? Sure, it pushes my buttons, but didn’t I just read more or less the same thing in someone else’s story? And what about that sentence? I used “cock” twice already – should I change it to “prick”? Have I already used a storm metaphor for orgasm in this tale?

As a result, all too often these days I seem to find myself in a state of literary paralysis. The horny flow of erotic ideas has dwindled to a trickle. Sure, occasionally inspiration will seize me and a whole story will pour out of me in a few hours. I treasure those experiences – especially since they’ve become so rare.

I know that part of the problem is hormones – or lack thereof – as I age. And how could I not have become a bit jaded? I’ve probably read a thousand erotic short stories since I turned “pro”. I admit I’m almost as critical about other authors’ work as I’ve become of my own. It’s inevitable, I suppose, that one’s first story about anal sex is going to be a good deal more exciting than the fiftieth. You’re only a virgin once.

Still, I sometimes wonder whether I should stop being concerned about craft and just write “Sucking Daddy’s Big One” or “Slave to the Cruel Professor” or “The Pirate’s Whore” – the type of books that Amazon tells me people decide to purchase after viewing my recent BDSM story collection. It’s true – the stories in that collection are more subtle, surprising and literary than Raw Silk, but they’re not as hot. I don’t know if I COULD silence the analytical voice in my head, or ignore my concerns for originality and freshness, but if it were possible, would I be able to recapture the glorious searing intensity of my early work?

I’m a snob – I know it. A while ago I read a BDSM novel for purposes of a review and was appalled by the poor quality of the writing. Glaring grammar mistakes, incorrect punctuation, inappropriate word choice, confusing and inconsistent point of view – the book broke practically every rule of craft. Meanwhile, the story trotted out all sorts of stock BDSM elements: the stern but voluptuous employer in her tailored suits and spike heels, the innocent “natural” submissive with an inexhaustible appetite for abuse, the male “assistant” called into service to train the new slave. It had bondage, spanking, flogging, suspension, butt-fucking, medical play, pseudo-Victorian costumes… I wrote a pretty scathing review, but at the same time I have to admit (as I did in the review) that some parts of the book turned me on. The awful writing ultimately did not prevent me from being aroused.

So maybe, just maybe, the craft doesn’t matter. Could that be true? I know it’s possible to produce a supremely well-written erotic story that also has the power to arouse me – some of my favorite erotic authors do it all the time. And yes, elitist that I am, I find wonderful writing exciting in its own right. Perhaps, though, that aesthetic thrill could be teased apart from my baser (and more basic) sexual reactions.

Then again, perhaps not. The aspects of BDSM that arouse me most have to do with the emotional and psychological currents flowing between the dominant and the submissive. It takes a certain skill to bring those dynamics to life. Whips, handcuffs and gags by themselves won’t do the trick, at least not for me.

Does too much craft interfere with heat? Are the two independent, addressing totally different levels in the reader’s psyche? Should I switch to writing pure porn? Could I?

I really want to know what you think.

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 Erica Getting Ready For Bedtime… More From Peanut Butter Vol. 3!   
Published: 3 days ago   [ submited by ]

I’ve always loved how this page came together. I think I was reading a lot of Frank Miller Sin City stuff while doing this… Not saying that this page is comparable to any of Frank’s stuff but it definitely was one of the highlights of Vol. 3. Check here for the previous page…

Overall… Having Erica do this little cameo in the book was fun. Even though she wasn’t a major player in this volume compared to the previous ones, she still had a significant impact to Molly’s world.

On another note:  I posted another original piece of art for sale. Check it out here when you get the chance. The piece is actually from the aforementioned previous page.
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 * I’m blue *   
Published: 3 days ago   [ submited by ]

“Chez les femmes la petite fleur bleue
a des racines de chêne.”

Florence Parturier

Une tenue toute bleue nuit pour débuter la semaine en douceur. Pendant ce temps, moi je mijote dans le Blue Lagoon en Islande ou je m’explose sur un geyser, j’aurai certainement une pensée pour vous.

Monsoon m’avait encore bien fait craquer en début de saison avec cette robe toute brodée, sur l’épaule et à la taille, j’aime beaucoup l’associer à un cardigan pour l’effet jupe plissée, même si finalement c’est bien dommage de cacher toutes ces décorations.

Pour les plus observatrices, vous l’aurez remarqué sur M6 lors de ma dernière chronique beauté (”Les secrets de maquillage de star” visible ici), vous avez été nombreuses à m’écrire pour savoir d’où est-ce que venait cette robe. Je vais d’ailleurs essayer dorénavant de shooter les tenues que je porte pour mes chroniques assez rapidement pour combler vos questions.

Le cardigan provient d’une collection New Look Tall (pour les grandes) et généralement je trouve que cette ligne taille assez grand, ça vaut vraiment la peine de zieuter les pièces qui s’y trouvent.

Je suis toujours fan du bleu et du noir, un mariage chic, le bleu illumine le noir et lui donne la final touch qui lui manquait.

Et mes bottines que je vous ai présenté lors de la dernière “Revue de shoesing“, et tapez moi sur les doigts, j’ai craqué sur une autre version lors des dernières démarques à Turin. A venir cette semaine dans une nouvelle édition de la Revue de Shoesing, promis.

Bon début de semaine à toutes!

+ Robe Monsoon +

+ Gilet New Look Tall +

+ Bottines Marina Rinaldi +

+ Chapeau Avant Première +

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 * Passeggiata #5 *   
Published: 5 days ago   [ submited by ]

Les vitrines commencent à bien se remplir des nouveautés pour la belle saison et l’occasion pour moi de vous montrer ma dernière “Passeggiata” réalisée samedi dernier (juste avant que je m’envole avec mes ballons*).

J’ai flashé sur plusieurs associations de couleurs, les pastels c’est si beau en photo, à porter j’avoue que je n’en sais encore rien, ça sera une grande première pour moi. Mais j’ai déjà acheté quelques pièces dans ces teintes et j’ai hâte de vous les montrer. Gros coup de coeur chez Prada, enfin comment ne pas en avoir un, d’ailleurs un de leur sac me fait de l’oeil, le seul souci (à part leur prix) c’est réussir à me décider pour une couleur, et là c’est loin d’être gagné.

Chez Burberry c’est la déferlante de détails tribaux, avec la mise à l’honneur de certaines techniques de tissages de quelques pays africains. Je trouve cette collection magnifique et j’espère me trouver 2 ou 3 placebo pour combler mon envie de voyage vestimentaire.

Le mélange de bleu nuage et de rouge chez Valentino m’a subjugué! Ces dentelles ont brisé mon petit coeur de shoppeuse, vite là aussi, un ersatz!

Ces vitrines m’ont donné de quoi inspirer mes prochaines tenues printanières, et donc maintenant non allons devoir patienter jusqu’à qu’il arrive et c’est là qu’est la difficulté.

Bon week-end et bonne passeggiata!

voir les dernières passeggiate

John Galliano

Tara Jarmon

Gucci

Prada

Bottega Veneta

Lanvin

Hermès

Marina Rinaldi

Moschino

Burberry

Barbara Bui

Richmond

Etro

Valentino

Paul Smith

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 All About Pleasure: Changing the World   
Published: 5 days ago   [ submited by ]
by Donna George Storey

Last month I proposed the perfect excuse to taste fine chocolate while you’re writing erotica.  This month I thought I’d focus on a different reason why what we do can feel good. Indeed while writing erotica allows us to celebrate the sensual, it offers another equally satisfying, even spiritual, pleasure—knowing that the stories we write make an important difference in our culture.

Now, my dear Fellow Erotica Readers and Writers, perhaps you’re wondering how can I make such a grandiose statement.  No doubt, you’ve heard the same comments I’ve gotten from well-meaning critics, which can be summarized in this question:  “You’re such a good writer, why are you wasting your time writing dirty trash instead of Real Literature?” 
The next time someone says this to me, I have an answer.  I truly believe stories that explore the power of sexuality in our lives—for the good as well as the bad as is more common in polite literary fiction—carry on the great literary tradition of speaking out about the passions and conflicts that we all live with every day but that the authorities would prefer we keep hidden for the sake of social order.
With women’s access to birth control still considered a matter of public debate, we must admit we live in a society where it is still a revolutionary act to acknowledge that ordinary, “decent” people have sex for pleasure.  Just as both sexes benefit from the availability of birth control, both men and women gain from the chance to express their personal truths about their sexual desires.  Even if men have traditionally been allowed more sexual agency than women, they’ve still been subject to significant restrictions that merit full examination and exposure.
By writing erotic stories that express the unique styles and tastes of real people, we are proclaiming that sex doesn’t have to be silenced.  Nor must it be relegated to the realm of the XXX pornography industry where the rules are so very different from the world we live in:  strangers have sex within minutes of meeting in positions that are strictly camera friendly; all women have multiple orgasms with minimal stimulation; and all men have huge penises and prefer to ejaculate outside of their lover’s body.
Now, I don’t mean to revive the old debate of what constitutes porn (usually seen as visual, male-oriented, and subversive) versus erotica (usually characterized as written, female-oriented, and thus less threatening to the social fabric as long as feeling is involved).  Whatever you want to call erotic expression that celebrates the fullness of the human sexual experience, the powers of the mind and imagination as well as the body, is fine by me.
The important thing is that we keep up our courage when so many still try to marginalize our work and value each new story as a chance to tell the truth about what it means to be human.  If you define a good story as one that stays with you, I’ve read more memorably good erotic stories than any other kind. 
So keep writing and keep changing the world—one erotic story at a time!

Donna George Storey is the author of the erotic novel, Amorous Woman.  Her short stories have recently appeared in Best Women’s Erotica 2012, Best Erotic Romance, and The Best of Best Mammoth Erotica.  Learn more  at http://www.facebook.com/DGSauthor.

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 Distance Makes The Heart Grow Fonder…   
Published: 7 days ago   [ submited by ]

Lots to do today… Finishing up some pages from Peanut Butter Vol. 7. Also, I’ve decided to delay putting up that piece I spoke about in the previous post until this Sunday. I’m trying to decide if I should post artwork for sale on a weekly basis or a daily basis. What do you think?

As for this post… It’s the seventh page of Peanut Butter Vol. 3. Check here for the previous pages. Molly is feeling alone and confused in her first week of college and decides to call her ‘good’ friend Erica, who happens to be busy at the moment…

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Merchandise:  Urban Jointz Vol. 1 © 2011 by Cornnell Clarke Hardcore Comics, transexual, cocks, lesbians, sex.
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 * Bouba *   
Published: 7 days ago   [ submited by ]

« Mieux vaut être dans le ventre d’un ours
qu’entre ses crocs. »

Aleksis Kivi

J’aimerai tout d’abord vous remercier pour l’accueil hyper chaleureux que vous avez réservé au nouveau blog, je ne m’attendais pas du tout à autant d’avis positifs, vraiment vous m’avez surpris!! Toute l’équipe se joint à moi pour vous dire encore MERCI!

Allez c’est parti pour la tenue du jour.

Lors de mon passage en Italie j’ai eu le temps de faire quelques friperie et autres dépôts-vente et dénicher quelques perles comme par exemple cette veste en moumoute rétro et plusieurs gilets en mohair dont cette pièce en prune.

Ma petite jupe prune Call me Ponie favorite et un top doré irisé avec un grand zip dans le dos pour donner de la lumière à la tenue.

Je ne savais pas que le mohair pouvait être autant chaud! Ce petit gilet est magique, même s’il provient d’une friperie, il avait encore sa petite étiquette, tout neuf pour 5 euros!

A mon cou j’ai associé mon big eyelash de Noot à un nouveau talisman de Shamaz Jewels en galuchat rouge.

Finalement je trouve que l’association de toutes ces pièces donne un côté trappeur urbain, sans les talons et la jupe je pourrai presque aller chasser dans les rocheuses. Oh je sais, je me raconte encore des histoires pas possible pour mon look. J’arrête.

Avant de vous quitter, je fais encore appel à vous, d’ici quelques jours je m’en vais en Islande, si vous avez quelques adresses à me conseiller ou des endroits à ne pas manquer, n’hésitez pas, je suis tout ouïe, enfin j’ouvre grand mes yeux pour vous lire.

Bonne journée!

+ Veste en moumoute vintage friperie italienne +

+ Top doré Dorothy Perkins +

+ Gilet en mohair friperie italienne +

+ Jupe en veau velours prune Call me Ponie +

+ Lunettes bordeaux Chelsea House of Harlow 1960 +

+ Access’: bagues ailes Emily Rotschild et collier cils Noot sur ICUinParis.com – bague Arty YSL  - collier Shamaz Jewels +

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 More from Vol. 3!   
Published: 8 days ago   [ submited by ]

Here’s a retro look at pages five and six from Peanut Butter Vol. 3. For the previous pages check here!  Also, coming up, I’ll have another piece available for sale! It will also be from Vol. 3 and will actually be the last piece from any of the Peanut Butter Books that I’ll be posting in a long while.

As of now, I’m working of Vol. 7 and will be posting some samples in the near future.







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Your Top Listing of Erotic Visual Artists and Art sites. Drawing, Illustration, Painting, Sculpture, Printmaking, Animation, Comic Art, Pinup, Toons, Museums, Fine Art, & Galleries.

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 Constants and Changes – by Craig Sorensen   
Published: 8 days ago   [ submited by ]

There are those who don’t like change. A consistent life, in the office at 8, out at 5. Lunch at Mr V’s on Tuesdays and Thursdays, Friday night, leave the office half an hour early. Anticipation, he drives home a bit above the speed limit. He manages not to get a ticket.

Again.

A favorite meal, smiles across the candle-lit dinner table. A familiar face. Has she changed? Yes, of course. Thirty-seven years will do that. But changes so slow that only the Kodachrome photos on one side of the room from the many vacations to the Oregon Coast – every year during the first week in June, because it is off season and the room costs less – only those photos admit the aging process.

That steak was perfect, so was the baked potato, and he takes her hand in that familiar way, and leads her into the gently lit bedroom. Her modesty is as unchanging as her smile and her turquoise eyes, but she allows the bit of light he needs to unbutton her blouse, peel it over one shoulder, then the other. He kisses her soft and long, and unsnaps her bra. She acts surprised as it pops open, and they laugh.

They enter the bed, from the same side, and he disappears under the blanket. Her hips jerk when he opens them and presses his tongue deep into her. He knows every trigger, plays every note to perfection like a musician with his favorite song; it’s the one piece he plays every time he practices. Two orgasms shudder from her, and he’s so hard the tip of his rod pokes his abdomen. She feels so warm and soft as he slowly enters her, and posts up on his strong arms, and luxuriates in her body. She rolls like waves on the beach, bends his rod just the way he likes, circles his tight sac with her middle finger and he nearly comes too fast; she lets him off the hook. He wags his finger in front of her face, and she bites it.

They collapse together, encircle each other’s bodies tightly with intertwined arms. They move in a perfect rhythm and the old box spring sings in perfect time. They can’t last long like this. Not with the feel and smell of sweat eroding carefully applied perfume and cologne. No.

A great yell, a chorus, rings out from them. They kiss deeply through the orgasm.

Just once a week. Pretty much the same every time.

Exhausted, they begin to doze in the nude, the only night of the week that they do so. And tomorrow he will wake to eggs, bacon and toast, to greet the weekend.

“I love you.”

“I love you too.”

*****

Sometimes, erotica is all about the pivot points, and rightly so. Sexuality is a great changer. But one of the most memorable depictions of sexuality I recall from a young age was when a friend and I were sleeping outside one summer night, talking about sex, as we often did. For some reason, we talked about the very religious couple next door, and he described how he figured it happened between them. It was mundane, and plain, just as he intended it. Somehow, this always struck me as sexy.

My little vignette above is a bit of an homage to my old childhood friend’s supposition about the sex life of the middle aged couple next door. Maybe some of the best stories are about change, about pivot points, but that doesn’t mean consistency can’t be sexy.

Maybe it is the whirlwind that has been my life in the past two months that has driven me to write about a couple who finds passion amidst their very consistent lives together.

Whatever the reason, I’m glad you came along.

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 * Rebirth *   
Published: 9 days ago   [ submited by ]

Ce que la chenille appelle la mort,

le papillon l’appelle la renaissance.

Violette Lebon

Il m’est arrivé quelque chose de fou ce week-end, je suis tombée amoureuse d’une cinquantaine de ballons oursons gonflés à l’hélium.

On s’est trouvés sur le trottoir près de la Madeleine, ils sortaient d’une boutique Gucci et moi je shootais quelques images pour un billet « passeggiata ». Une idée m’est venue à l’esprit, j’allais tous les ramenés chez moi. Pour ceux qui me suivent sur Twitter ou Instagram, ma Smart (photo ici) s’est transformée en remake du film d’animation « Là-haut ». C’est fou le nombre de sourire que j’ai décroché ce soir là dans les rues de Paris, les gens riaient de les voir accrochés à ma petite voiture, certains couraient derrière la voiture pour tenter de prendre une photo, il y avait quelque chose de magique dans ces ballons.

J’ai d’abord shooté une première tenue dans la nuit et le froid à 3h du mat’ avec mes ballons dans Paris, j’avais décidé ensuite de les relâcher mais c’était déjà trop tard nous étions déjà trop attachés eux et moi. Ils ont passé la nuit chez moi et le lendemain matin j’ai mis une jolie tenue pour leur faire honneur.

Une tenue noire géométrique, du pois, du coeur, du zip, du zig zag.

Les collants viennent de chez Castaluna, cet e-shop a considérablement agrandi son choix de collants avec de la couleur et des motifs. La jupe et le chemisier sont des pièces d’anciennes collections, dans mes souvenirs au début de l’automne. Pour rehausser le tout je porte mon manteau zig zag de chez Anna Scholz déniché lors des derniers soldes pour moins de 80 euros, unique pour une pièce de cette qualité là.

A mes pieds ma nouvelle addiction pour une marque: Love Moschino, c’est la 3e paire que j’adopte, le rapport qualité prix est incomparable.

Donc une tenue pleine de petits coeurs, pleine d’amour pour cette jolie histoire que j’ai vécu, une rencontre éphémère, un amour impossible qui m’a fait tourner la tête, merci à l’hélium, dimanche matin je chantais un Tribute to Whitney Houston sur youtube .

+ Manteau Anna Scholz +

+ Chemisier Forever 21+ +

+ Jupe crayon h&m BiB +

+ Escarpins Love Moschino sur Zalando +

+ Access’: collants Castaluna – bague boutique à L.A. – broches Bena sur ICUinParis.com +

Comme toutes les jolies histoires il faut savoir se quitter sans s’abimer…

J’ai rendu leur liberté à mes oursons volants, je les aient regardé s’envoler haut, très haut, jusqu’à ce qu’il disparaissent dans les nuages au dessus de Paris. Et c’est vraiment stupide de ma part mais je n’ai pas pu m’empêcher d’avoir les yeux humides en les regardant s’éloigner.

Un peu comme le changement sur ce blog aujourd’hui, donc voilà, on y est, vous découvrez aujourd’hui mon nouveau chez moi , votre nouveau chez vous. Alors bien sur j’ai pris les commandes de la déco, ils y aura toujours des personnes déçues, à qui cela ne va pas plaire… enfin pas tout de suite. Mais peu à peu on se fait au changement.

J’ai dit au revoir à Big Beauty, ça y est, elle a pris elle aussi son envol, j’ai aimé tout ce qu’elle m’a apporté et je vais encore plus apprécier ce que Stéphanie va devenir. Je redeviens moi même.

C’est beaucoup de changements et tout cela n’aurait pas été possible sans toute une équipe derrière moi.

- Tode le photographe qui a géré les photos, avec qui je travaille les yeux fermés. Nouveauté, il propose ses talents pour la réalisation de book photos pour les particuliers et professionnels. http://www.tode.fr/bookphoto/ http://www.portraitsdeblogueuses.com/

- Lisa qui s’est occupé de la création du design du blog, elle a sa propre entretrise de webdesigner http://pic-a-bow.com/

- Olivia de Gloss’up Paris qui m’a magnifié avec un make up original http://www.gloss-up.com/

- Stéphanie Rousseau – By Glam, illustratrice talentueuse qui m’a transmuté en chimère http://www.byglam.fr/

♡ Merci à toutes cette fabuleuse équipe ♡

N’hésitez pas à me signaler d’éventuels bugs qui peuvent arriver sur l’affichage du blog.

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 A Little Taste of Volume Three!   
Published: 10 days ago   [ submited by ]
Here’s a look back at “The Diary of Molly Fredrickson: Vol. 3″. Like I said in a previous post, this graphic novel was my first to have color right out of the shoot. More so than any of my books before or after it… Vol. 3 was one big learning process. To this day I still look back on the lessons I learned from it.

Anyway… Feel free to check out the first four pages of it. If your interested in picking up a copy you can get one here in my merchandise page.

I also have some original art for sale from this book. Check it out here and add it to your watch list when you get the chance.

I’ll post some more pages from Vol. 3 throughout the day. Enjoy!
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Merchandise:  Urban Jointz Vol. 1 © 2011 by Cornnell Clarke Hardcore Comics, transexual, cocks, lesbians, sex.
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 + Didit Hediprasetyo collection Couture P/E12 +   
Published: 10 days ago   [ submited by ]

Alors que la Fashion Week de New York bat son plein, j’avais envie de partager avec vous un autre des défilés auxquels j’ai assisté. Un créateur qui ne bénéfice pas de toute la vitrine médiatique comme par exemple Jean Paul Gaultier, mais qui m’a vraiment fait voyager et je pense que vous aurez du plaisir à découvrir ses créations.

Didit Hediprasetyo est né à Djakarta en 1984 et diplômé de la Parsons School of Art and Design de Paris, à l’hôtel Crillon il nous présentait sa 4e collection couture PE 12.

Ce défilé inspiré de l’Inde m’a vraiment fait penser aux années 40-50 pour les matières utilisées à cette époque là et très contemporain pour les formes.

Les matières sont sublimées, du cuir d’autruche, des plumes de paon blanc, de la soie, du tissus brocard, tous dans les tons naturels du kaki, au beige en passant par le chocolat. Les chapeaux sont des turbans stylisés ou des couvre-chefs revisités façon chapeau colonial ou autre emplumé.

J’ai beaucoup aimé le travail sur le volume des jupes et des robes, au niveau des hanches et aussi le jeu de couture sur le tops et autres bustiers.

Je vous laisse avec ces quelques images et rendez-vous demain pour une tenue du jour et une surprise durant la soirée ou la nuit…

Bon début de semaine!

Défilé Couture PE 12

Didit Hediprasetyo – Link

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 The Landscape of Language   
Published: 10 days ago   [ submited by ]

Most people, and many writers, conceive of writing as a craft. Concrete metaphors of woodworking, pottery, gardening all come up when people talk about the process of writing. They are all helpful models for understanding the approaches people take to writing.

It should follow then that, if we learn and practice our techniques, if we become discerning experts at judging the quality of the raw materials (the language), if we make a full investigation of the market (our target readers), then there is no reason why writing should not be easy. And yet it is never easy.

This is not to say that good grammar, clever plotting, insightful characterization and a deft hand with dialogue don’t contribute to producing a good story. But you can and probably have executed all those things in a story and still end up with something that doesn’t quite shine.

Why is that?

Well, mostly because you can teach students ‘technique’ until the cows come home and only a handful of them will become really good writers. You can conceptualize language as a raw material, but it’s not stable like wood or clay or soil. And readers are not static, passive receivers of the text. These two aspects of writing are very problematic: language and the reader. What makes them both so challenging is that neither of the buggers will sit still.

When we work with language, we need to acknowledge that it is much more like a living organism than like the materials a craftsman might use. Language is growing and changing all the time, language squirms. A word might have a set meaning for you, here, now, at this very moment, but it may have completely different nuances for the reader. In fact, it always does and, what’s worse, those nuances are different for every reader who encounters your work.

Now, don’t spend too long thinking about that because it’s sure to do your head in and make you consider never writing another word. It’s not meant to make the task of writing sound impossible. It’s meant to remind you to cut yourself some slack when you struggle to write something that just doesn’t want to come out right. It’s meant to remind you to shake your head and smile when, after working so hard and putting your heart into something, the piece isn’t received with the enthusiasm you felt it deserved.

I’m going to make a statement that is very untrendy, very unpopular these days. Writers are artists. We are cartographers of human experience. And that, by its very nature, makes us abstract artists.

And when it comes to writing erotica, writing becomes an even more daunting challenge, because our culture has such a problematic relationship with sex. Even in the midst of all this marketized tits and ass, assailing us from every direction, we live in a culture that very rarely speaks openly and honestly about the erotic. And that very reluctance to speak about it has twisted the thing itself.

Borges in ‘On Rigor in Science’ has likened literature to a map laid atop the landscape of reality. It can’t simply be a reproduction of the landscape or it would have to be as big as the world itself and be of no use as a map. It must, by necessity, be an abstraction, a synecdoche of reality.

When it comes to erotic literature, we’re making maps of a very murky landscape. So many of its features are obscured in the fog of gender war, of shame, of religion, of a positivistic modernism that rejects emotion as unquantifiable and, therefore, irrelevant. Whatever maps we make are going to, by necessity, to be imperfect ones. And the features you decide to highlight in your map may or may not find resonance with the reader.

So yes, technique matters. And yes, experience is useful. But ultimately, you can never control how your reader ‘reads’ your story. You can only hope that your particular map gets into the hands of people who are intrepid explorers. You can only invite the reader to take as much delight as you do, in certain features. Beyond technique and structure, what all good writers have in common is a sincere and genuine obsession for the terrain they are charting.

It’s worth remembering that, although maps can be useful guides, they tell us as much about the mapmaker and the culture she or he lived in as they do about the territory they are surveying. And, even when those maps are no longer of any use as guides, they are beautiful works in themselves. They are artifacts and the people who make them are interpretive artists.

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 Mmm… Tasty!   
Published: 12 days ago   [ submited by ]

I remember how funny it was trying to figure out how to add color to my pencils. It was a long and arduous task. I had to ask quite a few people for advice. One person in particular that was a great help was Christian Zanier. Although his style and approach is very different from mines, he was a really big help! I owe him a big thanks for Peanut Butter Vol. 3 and pretty much all the books that followed… Thank you Christian!

On another note:  if you are interested in the original pencils for the piece in this post feel free to check it out here!
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Merchandise:  Urban Jointz Vol. 1 © 2011 by Cornnell Clarke Hardcore Comics, transexual, cocks, lesbians, sex.
Your Top Listing of Erotic Visual Artists and Art sites. Drawing, Illustration, Painting, Sculpture, Printmaking, Animation, Comic Art, Pinup, Toons, Museums, Fine Art, & Galleries.

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 Molly Has A Quiet Moment…   
Published: 13 days ago   [ submited by ]

Here is an uncensored look at one of my favorite pieces from “The Diary of Molly Fredrickson: Peanut Butter Vol. 3″. It’s from the fourth page of chapter one entitled “Dear Diary”. I’ll be posting more about this pic soon… If your interested in bidding on the original piece you can check it out here!
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Merchandise:  Urban Jointz Vol. 1 © 2011 by Cornnell Clarke Hardcore Comics, transexual, cocks, lesbians, sex.
Your Top Listing of Erotic Visual Artists and Art sites. Drawing, Illustration, Painting, Sculpture, Printmaking, Animation, Comic Art, Pinup, Toons, Museums, Fine Art, & Galleries.

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 + Minnie Rose +   
Published: 14 days ago   [ submited by ]
Rêve ta vie en couleur, c'est le secret du bonheur.
Walt Disney 

Ouais je faisais ma maligne il y a quelques jours, pouet-pouet l’hiver tu n’auras pas pointé ton nez, tralala.

C’est la dernière soirée avant le grand froid et j’ai cru que j’allais perdre une cuisse ou deux en shootant cette tenue. Le vent s’est levé, glacial, et a failli m’emporter pour de bon!

Ce soir là je portais, heureusement, un bon pull en cachemire bien chaud qui m’a sauvé de la pneumonie glaireuse.

Notre petite jupe Call me Ponie que je peux porter avec quasiment tous mes hauts, les jupes en cuir magiques qui te rockise une tenue en moins de temps qu’il ne faut pour le dire.

Du rose, du fushia, du fluo et mes escarpins Minnie aux pieds pour finaliser un look qui se voulait un peu trop sérieux à mon goût. Et puis j’aime voir le sourire que déclenche mes chaussures lorsque les gens baissent les yeux.

Je n’ai pas pu résister à vous mettre une photo que mon meilleur ami a pris lors d’une soirée à la Mairie de Paris, j’aime beaucoup cette photo un peu fofolle décalée dans le somptueux décor de l’Hôtel de Ville de Paris.

Une dernière info avant de vous quitter que j’ai glâner lors de mon shopping chez Marks & Spencer sur les Champs Elysées, vraisemblablement lors de la prochaine collection printemps-été 2012 Marks & Spencer va proposer la taille 22UK (soit 50FR) dans leur magasin. A vérifier donc mais c’est plutôt une bonne nouvelle car actuellement sur les Champs impossible de trouver de la grande taille, et Marks & Spencer c’était un peu l’espoir de pouvoir enfin trouver quelques pièces sympas. J’espère que pour l’ouverture de leur prochaine succursale, nous serons d’office inclus dans leur sélection de taille.

Allez je vous laisse!

ps Exceptionnellement, retrouvez moi ce soir sur M6 pour une nouvelle chronique beauté dans 100% Mag!

Ce soir là Minnie a rencontré Zizi

+ Trench H&M BiB +

+ Pull cachemire fushia Marks & Spencer +

+ Mini jupe en cuir Call me Ponie +

+ Escarpins JCDC x Mellow Yellow +

+ Access’: écharpe fluo COS –  collier faux-cil Noot  et broches Bena sur ICUinParis.com – broche noeud vintage Killiwatch +

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 Miles and Betty Davis   
Published: 14 days ago   [ submited by ]

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 random   
Published: 14 days ago   [ submited by ]




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