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Monday Moons in Ireland!   
Published: 12 days ago   [ submited by Cheryl Brooks ]

Greetings from Ireland!
We finally made it! Not sure how, but we’re here. Now we just have to figure out the mysteries of Irish plumbing and electricity. Not sure we’ve quite gotten a handle on it yet, but we hope to have it sorted out soon. I took lots of pictures, starting with Mike and Sam at Heathrow airport. That place is the size of a small city and had terminals that were fairly long bus rides from one another. Lots of construction there, too.

This is the big, honking 747 we flew in on. The most uncomfortable I have been in a very long time. Trying to sleep wedged in between Bud and Mike, who put out a lot of body heat on a plane that should’ve been cooler, with an intermittently crying baby in the seat across from us. No sleep on the “overnight flight”, but I did watch War Horse, and The Iron Lady. 

I think I may have slept on the one hour flight from London to Shannon, but I’m still not sure. Our driver picked us up at the Shannon airport and took us to Durty Nelly’s for lunch,

and then we went tromping through Bunratty Castle.

Sam, Budley, and Mike waiting outside Durty Nelly’s.

After lunch we toured the castle and the village.

Believe it or not, I climbed up in one of the towers of the castle. Not sure how my legs held me up after sitting for hours and hours with no sleep, but I made it up there somehow.

Sam on the drawbridge.

This is a picture I took from the top of the castle.

Flowers blooming near the castle.

Kerry Mountains on the way to Sneem. One thing we discovered was that Sneem is a very long way from the airport, and the road through the Killarney National Park is one twisty, winding road and our driver does not believe in driving slowly.

We’re going somewhere tomorrow. I know we discussed it, but I have absolutely no idea where. All I know is that Gerritt will be picking us up at 10 AM…

…and that I must have moons!

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It’s The Ex-Boyfriend’s Turn…   
Published: 13 days ago   [ submited by ]

Love the script but, I’m still not happy with Sean’s facial characteristics… Hopefully I’ll have the time to touch it up before final publication.

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Here are the colors…   
Published: 13 days ago   [ submited by ]

Now it’s time to add the text. Might touch up Sean’s face though…

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Tone’s Almost Done!   
Published: 13 days ago   [ submited by ]

Getting closer to finalizing the color. Almost done now!

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Sexy Photo 2012-05-06 10:46:07   
Published: 13 days ago   [ submited by Sexy Photo ]
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Sexy Photo 2012-05-06 10:44:27   
Published: 13 days ago   [ submited by Sexy Photo ]
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Прогулка по пялжу…   
Published: 13 days ago   [ submited by Эротика в искусстве ]
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Thumb Poppin’?   
Published: 13 days ago   [ submited by ]

Here’s a look at the pencils. Just about ready to add color!

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A Lady of Mystery…   
Published: 13 days ago   [ submited by ]

A nice collection of masks can be viewed at Calvin’s Canadian Cave of Coolness

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Call for Submissions   
Published: 13 days ago   [ submited by Adrienne ]

Rookies: Gay Erotic Fiction
Editor: Shane Allison
Publisher: Cleis Press in late 2013
Payment: $50 and 2 copies of the book on publication
Deadline: September 1, 2012 (earlier submissions encouraged and preferred)

For this new anthology, I am looking for stories that cater to the theme of rookies, new cops fresh out of the academy who have taken the oath to protect and enjoy getting served.  Think security guards, beat cops, detectives that have moved up in the ranks, military police, beefy correctional officers, horny police chiefs, horned up FBI agents and/or U.S. Marshals out to get their man no matter what. I want good cops that aren’t always so good and bad cops who live up to their reputations.

Shane Allison is in search of the best rookie cop raunchy erotica around, focusing on a range of techniques, implements, characters and scenarios, from new styles of gay erotic writing to seasoned scribes. The rookies theme should be a central focus of the erotic element of the story but the plot does not have to hinge on it.

Original, unique, creative characters, settings, scenarios and forms are encouraged. As befitting the title, I’m looking for the best, hottest, most creative erotica for this collection. Original stories strongly preferred, but reprints of work will be considered but will be given lower priority than original work. All characters must be over 18; no incest or bestiality. Let your imagination run wild.

How to submit: Send double spaced Times or Times New Roman 12 point black font Word document with pages numbered (.doc, not .docx) OR RTF of 1,500-4,000 word story. Indent the first line of each paragraph half an inch and double space (regular double spacing, do not add extra lines between paragraphs or do any other irregular spacing). US grammar (double quotation marks around dialogue, etc.) required. Include your legal name (and pseudonym if applicable), mailing address, and 50 word or less bio in the third person to rookiesantho@gmail.com.

If you are using a pseudonym, please provide your real name and pseudonym and make it clear which one you’d like to be credited as. You will receive a confirmation within 72 hours. I will get back to you by December 2012. Be sure to include contact and bio information on the FIRST page of your story.

Payment: $50 and 2 copies of the book on publication
Deadline: September 1, 2012 (earlier submissions encouraged and preferred)

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Carmen   
Published: 13 days ago   [ submited by Эротика в искусстве ]

Оригинал взят у [info]vrotmnen0gi в Carmen


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 Gigapeta: http://goo.gl/fXL0B

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Rough Pencils In More Ways Than One…   
Published: 13 days ago   [ submited by ]
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My neighborhood   
Published: 13 days ago   [ submited by Lenny ]
A few days ago we received a glossy postcard announcing an estate sale this weekend in one of those gigantic Potomac mansions on Stapleford Hall Drive. It announced that everything must go and talked about artwork, and seeing that this joint is only about a 90 second drive from my much smaller house, I decided to drop in and see what sort of artwork dwells in one of these gigantic homes.

The place was indeed gargantuan and by the time we got there around 10AM, which is when the sale was scheduled to begin, it was already crawling with dozens of curious potential buyers.

The home, which belongs to a retired NBA basketball star, was palatial indeed – although the “antique reproduction” style of expensive (but still a reproduction) glossy, vulgar furniture was certainly not my style – although (second “although in this sentence) there were some very nice Middle Eastern and Persian rugs all over the mansion.

But I concentrated on the “artwork”, and as I had come well prepared to be disappointed, I found exactly what I expected in this multimillion dollar mansion: dreck.

On the walls hung what appeared to be the “Chinese painting villages” made oils on canvas of the usual themes: hyper-realistic fruits bowls brimming with grapes and fruits, wine bottles with cigars by the side, basic palette landscapes, brushy flowers, etc. As expected, they were all framed in what was clearly very expensive mouldings – the three to five thousand dollar range custom framework that these peddlers of visual wall dreck seduce the buyers into acquiring for their wall decor.

“Everything is 50% off the price tags,” announced the floor boss of a small army of name-tagged floor assistants. Right off the bat that was a clue about the real reality of “everything must go…” and the inherent sadness of the event.

As I walked around the house, in one large window alcove facing the swimming pool, from far away I saw what looked like a large Tamara de Lempicka hanging on the alcove wall. I held my breath as I approached it, fully expecting to discover some ersatz bad copy job.

And that’s exactly what it was: a bad Chinese/Ebay copy of a Lempicka on a $2,000 frame going for a few hundred bucks. Someone had copied de Lempicka’s Adam and Eve using a lot of white to stretch out the colors and then signed it with a name close but not exactly the same as the original artist’s name.

Back on the main floor, as I walked by, the large oil of shiny grapes and fruits was being examined by a Saturday-morning whiskered man and a woman, and a bored teen. “What do you think?” he asks of her.

The price tag on the Chinese oil was $2,000+, which means that this piece of kitsch wall decor was being given away for around a $1,000 samolians; five gets you ten that the original price from the “gallery” that sold it to the former NBA star was around $5,000.

As with the other crap hanging on the walls, that poor (not in dollars, but in visual arts knowledge) former NBA star had been conned not only into buying mass produced (one at a time) wall decor offered as fine art, but also then some gifted gabber of a salesman had added a $2-$3,000 frame to augment the monstrous act of conning someone into acquiring what they think of as “art” and presenting it as “art” (read elaborate, roccoco, expensive and disturbingly kitschy frame mouldings).

“I like it,” says she back to the perspective buyer.

“It would really snap that room for me,” he adds, “That’s the only thing missing.”

“I think I’m going to buy it,” he says. She turns to to the 15 year teen.

“What do you think?”, she asks of the bored teen.

She shrugs her shoulders, “Itsawright…”, she mumbles.

Even in this scenario, I’ve seen this scene play a thousand times. Even though in their eyes the huge hand-painted riot of fruit oil hanging on a massive frame on the wall seems to be too good of a deal to pass, since it is “art”, they are looking for an excuse to walk on.

But that room really needs something to snap it together. “I think I’m going to buy it,” says he again, brow furrowed and arms crossed. He turns around, looking to find one of the floor assistants, finds one and beckons her over with one of those forefinger wiggles that cartoon characters use to tell someone to come over.

I walk on by, saddened a little.

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Sexy Photo 2012-05-06 02:51:03   
Published: 13 days ago   [ submited by Sexy Photo ]
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Sexy Photo 2012-05-06 02:50:45   
Published: 13 days ago   [ submited by Sexy Photo ]
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Обнаженная красота 2012-05-06 00:02:16   
Published: 13 days ago   [ submited by Эротика в искусстве ]

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Sunday’s Hunk of the Day!   
Published: 13 days ago   [ submited by Cheryl Brooks ]

Now, here’s a guy who knows how to stand up straight!

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Writing Exercise – Dialogue   
Published: 13 days ago   [ submited by ]

By Ashley Lister

 My wife informs me there are four types of orgasm.  The Positive Orgasm, characterised by the exclamation, “Oh! Yes!  Oh! Yes!”  The Negative Orgasm, suggested by cries of, “Oh! No!  Oh! No!”  The Religious Orgasm, identified by exclamations such as “Jesus!  God!  Jesus!” and the Fake Orgasm, typified by the words, “Oh! Ashley!”
Dialogue in fiction serves three main functions:
·         Dialogue advances plot.
·         Dialogue demonstrates character.
·         Dialogue shows relationships.
Dialogue is one of the main challenges that needs to be mastered for anyone wishing to write credible erotic fiction.  Connoisseurs of pornography repeatedly complain of unconvincing conversations and asinine interjections spoiling the ambience of sexually explicit material.  Editors of erotica frequently bemoan the monological exchanges typified by banal exclamatories in erotic scenes.  No one expects the fictional participants of a sexually explicit encounter to exchange pithy views on Keats or Kierkegaard.  Yet most readers would prefer characters who can say something more insightful than, “Yeah, baby,” or “Oh! No!” or even “Oh! Ashley!”
It’s worth noting here that the current vogue in writing stands against the overuse of speech tags and modifiers in dialogue.  Whilst it is occasionally helpful to say, John complained; Jane asked; he stammered; or she exclaimed (etc), it is acknowledged that these verbs should be redundant if the dialogue has been well-crafted and is fulfilling its function correctly.
Consider the following:
Text 1
“What are you telling me?” John demanded.
Jane glared at him.  “I’m telling you that it’s over,” she bawled.
“It’s-” he began.
“Don’t make this any more difficult than it already is,” she interrupted.
He shook his head.  “I’m not making anything diff-”
She didn’t let him finish the words.  “Goodbye, John,” she said finally.
Text 2
“What are you telling me?”
“I’m telling you that it’s over.”
“It’s-”
“Don’t make this any more difficult than it already is.”
“I’m not making anything diff-”
“Goodbye, John.”
The modifiers in Text 1 slow the pace of this exchange.  In the first line, “What are you telling me?” John demanded, it can be argued that John demanded is redundant.  John is asking an explicit question and these are not usually ‘whispered’ or ‘said huskily’ or ‘ muttered whimsically.’  The reader should be able to infer from the heated nature of this exchange’s opening that John is demanding an answer.  Telling the reader this much borders on being too expository and writing beneath the readers’ abilities to understand the narrative.  
Similarly, in lines 3 and 4, it can be seen that the modifiers are unnecessary.
“It’s-” he began.
“Don’t make this any more difficult than it already is,” she interrupted.
Because the reader will understand that John has been interrupted – a fact implied by his single word utterance, ending in an abrupt en-dash – there is little need to tell the reader that John has been interrupted.  This over-explaining carries connotations of the annoying tautology found in exchanges such as:
“Why don’t you smile?” asked Jane, urging John to smile.
“I am smiling,” said John, smiling.
            Perhaps the most intrusive redundancy in Text 1 is the last line.
She didn’t let him finish the words.  “Goodbye, John,” she said finally.
All the previous arguments against overexposing the interruption can be applied to the first sentence in this line.  John’s previous utterance finished halfway through a word and ended with an abrupt en-dash.  Whatever Jane says after that is almost certainly an interruption. 
The sentence could have effectively ended with Jane saying, “Goodbye, John.”  The final three words, ‘she said finally’ are unnecessary and potentially confusing.  We already know that Jane is saying these words so there is no need for the author to tell us ‘she said’ them.  We also know that they have been spoken at the end of the exchange so there was no real need for the word ‘finally.’  In some ways this provides a dead-cat bounce: the initial impact of the statement being followed by an unneeded echo that does not offer the reader anything new and dilutes the finality of the original statement.  This is the author being overly indulgent at the expense of the story and the characters.  In this argument Jane should be given the last word but the author has taken that privilege away from her.
Having said all of the above, the conservative use of modifiers does help to ascertain the identity of the speaker.  Modifiers can also convey additional meaning that is not explicitly or implicitly present in the reported speech.  In line 2 of Text 1, the reader is shown that Jane glared at him.  This is necessary information for providing story detail.  Without this information the reader doesn’t know if Jane is avoiding eye-contact or fighting back tears of regret or shampooing her hair and considering a henna rinse.  Because no one glares at people when they are joking (or doing anything other than being part of a confrontation) the single verb is giving the reader a lot of detail about the vitriolic nature of this exchange. 
As with all matters in creating enjoyable fiction, the onus is on the writer to present a clear and unambiguous text for the readers’ interpretation and entertainment. And, as with all erotic fiction, the essential point is to keep thinking about the reader with every word that’s written.
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Finger Popping Thumbnail   
Published: 14 days ago   [ submited by ]
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Vengeance Is A Dish Best Served… In The Ass?   
Published: 14 days ago   [ submited by ]

Looks like Sean is about to have some fun of his own…

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