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Focusing on your sole satisfaction, using a unique combination of ancient esoteric techniques, I combine a mesmerizing sequence of extraordinary touches, enticing all the senses. Expertly controlling your blissful state of relaxation, I afford you a multi-dimensional experience designed to expand your sensory boundaries.
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| Power Exchange Games 101…How to be a Dominant Diva…Dark Tantra Secrets | |||||
| Published: 46 days ago [ submited by ] | |||||
Women, did you know that you can transform any male into your love servant? “Dear Dakini Devi Bliss,
After six years of marriage and two children, I would like to become more dominant in the bedroom but my 37-year-old husband won’t submit to me. He claims that it that it would feel weird, uncomfortable and unnatural for him to do so. Moreover, he says that he doubts if he would enjoy it. Is there anything I can do or should I just give up the idea?” Thanks, Krista Multiple women have written with different variations of Krista’s concern: This totally valid concern cannot be overlooked in a healthy heterosexual relationship.
Before addressing Krista’s question, we must break down basic male psychology.
Most males have been socially conditioned to be in charge. They strive to be alpha males whenever they can. In their minds, being a beta or a submissive is synonymous with masculine weakness.
Thus, a majority of men have difficulty being vulnerable or acknowledging their feelings. For them, having feelings also equals being weak and relinquishing control.
Yet, it takes far more strength and courage to be submissive than it does to be dominant, especially for a male.
It takes core confidence, inner acceptance and self-love to yield control and trust someone else enough to completely surrender emotionally, mentally, physically and sexually.
In order for your partner to feel comfortable surrendering control to you in the bedroom, even for one night, you need to do the following
Rule No. 1…Start Off Slowly. It will intimidate your partner if you try to go from 0 to 60 in one night.
The best way to introduce the Domination/submission dynamic into your bedroom is to start off with playful, sexy, non-threatening games.
Games are fun and everybody likes to play them! I created a series of completely original sex games with a D/s spin that you can try with your partner at any time, starting tonight. Here’s one of them to get you started. I call it “Quiet and Still.”
The Be Quiet/Stay Still Game
Materials Needed: None Instructions: Have your partner lay down and relax. During this game, he must stay completely quiet and still. He cannot speak, make sounds or touch you in any way.
He cannot lean up to kiss you, reach out to touch you, arch his back up towards you..Nothing. Begin by lightly touching him everywhere.
If he shivers even in the slightest, his turn is immediately over. If he doesn’t move, continue the game by rubbing, licking or kissing him.
He is not allowed to move at all, not even his lips to kiss you back! If he does, his turn is over. Then, you switch places!
Play this game for as long as you can until it’s impossible for both of you to stay quiet and still any longer. Everyone wins!
There are different levels of dominant/submissive play. Play around to find a level that feels safe, comfortable and sexy for you to enjoy with your partner.
If you are interested in exploring more playful sex games that incorporate all sorts of hot teasing, feel free to check out my Secrets of Submission Dark Tantra session for couples.
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| On Co-Authoring | |||||
| Published: 57 days ago [ submited by ] | |||||
I’ve been published for a few years now, mainly in the short story arena, though I have novellas available and others contracted, as well as a novel out on submission. I always keep my eye on what’s out there, what’s coming soon, how people are working, their achievements, and so on. And one thing that’s caught my eye several times has been co-authoring. To me, it looked like a brilliant way to work on a project with someone, have fun and then end up with a piece of work at the end of it. But I admit I didn’t really understand how it worked, so it just bubbled away in the back of my mind, and I didn’t do anything about it. However, towards the back end of 2012, my good friend and fellow writer Lily Harlem suggested co-authoring something together. I explained I had a few projects on, so I couldn’t start right away, but I would definitely be interested. She was busy too, so we said we’d start in the early part of 2013, when all the New Year festivities were over and done with, and life was back to normal. The writing bug bit Lily, however, and in December she sent me a chapter that had just come to her, so she’d written it down. I managed to read it quickly, but knew I still wouldn’t be able to do anything with it until January. I was eager to try out co-authoring, but other commitments had to take priority. Then 2013 arrived. I’d cleared my commitments and was free to start something new – hurrah! I read the chapter again and then bombarded Lily with a million and one questions about the process of co-authoring, how she thought it would work, our intended publisher, and so on. I was very lucky in that a) Lily had co-authored many times before so knew how it worked b) she was very, very patient with me and answered all my questions c) that our writing styles are quite similar, so that although we wrote from separate character viewpoints, our respective sections would still fit together well and d) we know each other well enough to give constructive and honest feedback that will be truly helpful, rather than trying to sugar coat anything for the sake of being nice. And so we began. The chapter Lily had written back in December was from the female perspective and I was happy to write from the male perspective. I’ve done it many times before and enjoy it very much. We’d already agreed that if things didn’t work out, we wouldn’t worry too much about it, so I opened the document and began to write without thinking too hard. We had no plan, no idea what on earth the book was going to be about, really, just that it would be an erotic romance. Despite this, the words came. Fast. After writing a chapter of roughly the same length as Lily’s, I skim read it and sent it back to her. And thus the mad email exchange began. Prior to this project I’d only written one full-length novel by myself and found it a learning curve, albeit it a fun and very satisfying project, but often I had to force myself to carry on and not procrastinate. With this book, however, it was totally different. It was full of surprises – because we hadn’t planned it, the chapters we sent back to one another were a total surprise, and we both had to think on our feet to work out where the plot would go next. We’d agreed not to rush one another for chapters as we both had other things on, too, and although we didn’t pressure one another, we still produced the words at lightning speed (for me, anyway!). I grew eager to read Lily’s next chapter, to see where the characters – which I’d quickly grown very fond of – would go next, what they would do. There was very, very little procrastination! The only thing we’d really planned was that the book would be longer than 50,000 words – to make it novel length. We did discuss how it would end, but never made a set decision, we just decided to keep writing and hope it came to a natural conclusion. We agreed that because Lily had written the first chapter, that I would write the last. That was the only time throughout the project that I felt pressure – and it was from myself, not my co-author. I had to write the last chapter, therefore the ending, therefore it had to be good, and satisfying! I put my fingers to the keys of my laptop and hoped that what came out would be good. When I finished the final chapter I read it again and made tweaks, then decided that no benefit would come of me staring at it – so I sent it to Lily. And waited with baited breath for her reply. She loved it!! She even said that it made her cry. Naturally, I was incredibly relieved that she liked it – and the fact it made her cry was a huge bonus. Poor Lily was suffering with a bad cold at the time so she wasn’t feeling her best, but I decided to take the compliment anyway. And voilà - our novel, which had been through what felt like a bazillion title changes throughout the writing process, was finished. We smashed our 50k minimum and ended up with 70,000 words, roughly. In five weeks (with me even doing two chapters in one day – one in the morning, then one in the late afternoon as Lily sent hers back in the early afternoon) we penned a novel that we were both absolutely delighted with, and characters we adored. Next, we made ourselves leave it alone for a while. We both agreed that jumping in with edits and polishing too soon wouldn’t help. We’d made comments on each other’s chapters as we went along, asking for clarification of certain points or even just saying parts had made us “LOL” and that helped immensely. So much so that after our waiting period, we didn’t change very much at all. Then came the discussion on submission. We’d had a publisher in mind all along – Ellora’s Cave – and we submitted to them. Thankfully, they said yes. Cue much happy dancing from Lily and I! As we waited for news, we had a bit of a debrief and agreed we’d both loved the process and were amazed at how quickly the book had come together – and even discussed making it into a series. Now we have contracts, a cover and are waiting for edits. As the book is themed around tennis, we’re hoping to see our novel – titled Grand Slam – release in August, in time for the US Open. I don’t want to say too much more and give the game away (no pun intended), but the novel is an erotic romance with a sports theme and some BDSM and seriously hot sex in there, too. I totally adored the process of co-authoring with Lily. It was genuinely fun and we just seemed to work really well – and quickly – together. We’ve already got some time carved out to write another book in the series – and who knows what will happen after that? So if you’ve been thinking about co-authoring, I would say go for it. If you know someone that you can work well with, and you will be honest with one another and complement one another, then it’s a great way to write a book. You’ll have to ask lots of questions to make sure you’re both on the right wavelength, but it’s worth it in the end. Keep an eye on my website and social networks for news of my first co-authored novel and a peek at the cover, and I’ll see you again next month. Happy Reading! ***** Lucy Felthouse is a very busy woman! She writes erotica and erotic romance in a variety of subgenres and pairings, and has over seventy publications to her name, with many more in the pipeline. These include Best Bondage Erotica 2012 and 2013, and Best Women’s Erotica 2013. Another string to her bow is editing, and she has edited and co-edited a number of anthologies. She owns Erotica For All, and is book editor for Cliterati. Find out more at http://www.lucyfelthouse.co.uk. Join her on Facebook and Twitter, and subscribe to her newsletter at: http://eepurl.com/gMQb9 |
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| Frisky Fun with Blindfolds…Dark Tantra 101 | |||||
| Published: 61 days ago [ submited by ] | |||||
While nowhere near as popular as vibrators, blindfolds enhance sexual activity in a wonderfully erotic way, especially when worn by women.
Sexologists agree that of all the five senses, most men get most turned on by what they see, particularly women in sexy gear and pornographic gyrations.
The vast majority of lingerie is worn by women to please men; the vast majority of porn is consumed by men. Men simply love to watch sexually charged visual images!
Sexologists report that the sense most women find most arousing is sensual touch. The feel of intimacy excites her…silk on her skin, a hot bath, a massage, endless kissing and cuddling, lots of gentle caresses all over, not just focused on the breasts and genitals.
As a result, sex with a blindfolded woman is often a win-win. He gets to see her in her full glory. Meanwhile, a woman deprived of sight can focus more deeply on the sheer joy of being touched.
Clearly, some men may also enjoy being blindfolded. But then a man can’t witness the sight of his beloved’s beautiful face, breasts, butts, hips, and vulva and feel aroused by them.
Meanwhile, a few women may dislike being blindfolded. For the most part, however, blindfolded women can turn inward which helps them experience loving touch more intimately.
Try combining blindfold play with slow, sensual, whole-body massage. If you feel at all unsure of how to give a good massage, visit a Tantric masseuse. Just receiving a sensual massage can help turn anyone into a capable masseuse within a couple hours. Just be sure to use plenty of organic massage lotion.
Moreover, blindfolds ignite the imagination. Deprived of sight, many women find it easier to fantasize about situations that arouse on.
Blindfolds are considered BDSM toys, but you need not be into restraint or power play to enjoy them. Just slip one on your lover or yourself and let the games begin.
Meanwhile, some people feel curious about BDSM but are reluctant to play that way. For these folks, a blindfold may offer a comfortable, yet highly arousing way to explore a little kink and dark tantra. Blindfold play incorporates the dominant-submissive element of power-exchange role-playing without the intense sensations of heavier BDSM.
Blindfolds also provide an opportunity for the top to be tender and nurturing as a blindfolded sub is vulnerable, and a loving dom keeps his or her sub safe from harm.
Blindfolds are also discreet. If family or friends see your blindfold, it’s easy to explain that you sleep better that way. Vibrators or handcuffs are a bit harder to explain away!
Plus, blindfolds are easily portable and take up no space. Vibrators and many BDSM toys are bulky in luggage, and if you travel abroad, customs agents will likely find them. Blindfolds travel easily and allow you to have some hot and spicy sex wherever you go.
Blindfolds are inexpensive and widely available at drug stores, sex toy catalogs and even airplanes.
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| Sex and Power, Night and Day | |||||
| Published: 94 days ago [ submited by ] | |||||
Dreams and fantasies—we treat them as if they’re night and day. Night dreams speak to us in inscrutable codes that require the interpretation of Sigmund Freud or a book on dream symbols. On the other hand, our daydreams, sexual fantasies included, are generally read as transparent, a simple expression of will and desire. If you fantasize about being tied up by a billionaire, your husband had better get nervous the next time Bill Gates happens to drop in on your monthly book club meeting. This literal view is often applied to erotica, sexual fantasy’s bookish sister, as well. Erotica writers (who we all know don leather corsets and thigh-high stockings every morning whatever their sex) write stories about their own experiences. Erotica readers in turn are highly disposed to act out these stories at home. I’ve been told by two different people that all the farm supply stores in Iowa sold out of rope soon after 50 Shades of Grey soared to fame. I suspect it’s an urban legend, but it proves my point. Our society is rather blinkered and literal-minded when it comes to sex. This might be one reason why some people are hesitant to write erotica or openly share their fantasies. A woman who gets turned on by an aggressive lover obviously wants to be raped in real life and is ambivalent about sexual equality in society at large. If a man likes dominatrix stories, surely the only thing stopping him from signing on with an official domme is the cost. I haven’t yet seen a quick-n-easy explanation for the M/M boom of fiction by women for women (hmm, good old-fashioned penis envy times two?), but maybe that proves my point, too. By simplifying sexual fantasy in this way, it may seem we succeed in transforming our uncontrollable, mysterious imaginations into something safe and explicable, while reminding us that unbridled sexual urges are weird, transgressive, and often illegal. In any case, it keeps people quieter about the steamy dramas in their heads. Except erotica writers. The apparent danger of a more complex, nuanced view of sexual desire is yet one more reason why sexually explicit writing must be denigrated as filth and trash. However, if you read an erotic story (which includes daydreams and fantasies) with a careful eye, I’m sure you’ll find it as rich and elusive and worthy of analysis as any literary short story. Freud already showed that can be done. But the recent attention to (and many would say misunderstanding of) BDSM got me thinking about how power infiltrates this process of reading and writing erotica at every level, even without rushing out to buy up the rope supply at your local feed store. If you think about it, sex and power have something very important in common. From childhood on, we’re forbidden to discuss either openly. I hardly need elaborate on the fact that sexual information is deemed harmful to minors, but our society’s power structure is equally off limits. As children we’re not supposed to question the authority of our parents, teachers or other adults. Those who do are punished, if not physically as in the past, then by diagnosis of a behavioral problem and medication. And besides, we live in a democracy where everybody is equal, and if anyone is losing the race up the ladder, it’s their own lazy fault, so what’s to critique? Nevertheless, in the media and our lives at school, home and church, we constantly witness the workings of both sexual feelings and power play, but we can’t acknowledge them honestly. At best, they’re hidden behind safe cliche. Thus, I would argue, these two forbidden elements of human interaction are forced below the surface, into the darkness of night, if you will, and can become suggestively entwined in our imaginations. Erotic stories break one taboo. Erotic power play stories battle two—which is why they may be so compelling. Equally appealing, for me anyway, is the true pleasure of considering the possible “meanings” of a sexual fantasy and its power dynamics. There are no right answers in this exercise, of course. Rather the more possibilities you can come up, the better. Take the ever-popular femsub story. The simple reading is that women naturally liked to be dominated by the superior male, and these fantasies are an honest expression of a timeless female desire. I’m a feminist, but to be fair, maybe there’s something to this (especially if you replace “female” with “human”). But take a closer look at someone else’s story or your own, and what else could be going on? Wow, the subordinate partner seems to possess power—less obvious but critical to the game. Because the dominating partner—whether boss or billionaire, duke or doctor—desires the sub and aims to know and please her. But why stop there? I’m reminded of the controversial scene in Dorothy Allison’s Bastard out of Carolina where Bone transforms her step-father’s sexual abuse into masturbatory fantasies. Could femsub fantasies be a way to work through the subordination and repression women still face today? If the authority figure is ordering us to be sexual, then we can be obedient good girls by complying while also enjoying sensual pleasure. Could it be that a cool, distant dom also gives us permission to get off without the prescribed romantic relationship making us honest women? For men, I’ve noticed that delayed ejaculation is a common power play device in erotic stories. What might be going on here? Might it recreate a man’s experience of sexual scarcity and helplessness, his satisfaction fully subject to the only important question on earth—will (s)he or won’t (s)he? Does it play with the reality that everyone, men included, are punished and ridiculed for sexual feelings outside of a very narrow scenario, and god knows exhorted to wait, wait, wait? Yet, doesn’t it also show a very macho self-control over a powerful desire? And the payoff is that we all know when the tension has been building for a long time, the release is all the more powerful. Of course every fantasy and every story will have its own unique elements—my goal is not to endorse another form of simplification. Rather, I’d like to encourage erotica readers to enjoy power’s slippery lubricant along with the other more visible and tactile varieties. To me erotic stories are much more than a masturbation aid. They are windows to our unspeakable desires within and our complex relationship with our culture’s sexual values and myths without. The mystery of night and the intensity of day all mixed up together. So bring on the billionare and let the fun begin. Donna George Storey is the author of Amorous Woman (recently released as an ebook) and a new collection of short stories, Mammoth Presents the Best of Donna George Storey. Learn more about her work at www.DonnaGeorgeStorey.comor http://www.facebook.com/DGSauthor |
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| DARK TANTRA…The Play-at-Home Version | |||||
| Published: 117 days ago [ submited by ] | |||||
Clearly, you have heard about the now infamous 50 Shades of Grey. Perhaps you wonder if BDSM require a large financial outlay. Yes, leather corsets and horse whips are well worth their price tag but if you’re just getting into it, try BDSM on for size first. The Dark Tantra version is milder and more appropriate for beginners.
First of all, your partner must mutually decide that you are up to trying some BDSM. Does the notion of being tied up get both of you in a hot, raunchy mood? Can you almost feel that teasing flogger along your thighs leaving you breathless? Yikes, you don’t have any sexy leather apparel or kinky toys! Fear not, these inexpensive, practical ideas will convert any object into a potential pleasure tool! Time to Play The Sensation Game! Rev up your engines by playing with your lover’s keen bodily sensations. Make them beg for more! You can use various flavors and scents to create different reactions, but the skin is our largest body organ, so take advantage of it. Increasing its sensitivity prepares you to feel the experience at the highest level. Now, go and check inside your home closets for the following common items. Feathers…Ticklish? Get a massive smile out of your man with that feather duster! It will make both of you feel comfortable and relaxed. Rope/laces…Keep your old running shoe laces as they may come in handy. Would you like a collar for that cute little pussy cat? Visit your local sex shop or dollar store to find useful but inexpensive items. Avoid buying plastic or rough material as it causes friction burns. Scarf…Use a silk scarf to slowly caress our lover’s entire body…nose to toes. The created sensations depend upon the thickness of the receiver’s skin and the amount of nerve endings you are touching. Go from her toes, to her knees to her yoni and up to her breasts. She will shiver with absolute delight!
Studded belt…Give your old leather studded belt a second chance at life. Vary the pressure you apply but do be careful as the spikes can damage your lover’s skin, Get Tied up..How many times has your female lover been tied up or handcuffed before having one delicious orgasm after another? Bondage has always been popular in the BDSM world and definitely worth adding to your boudoir repertoire. Tie… Take it off his shirt in the midst of an enticing kiss, swing it around your finger, slide your hands through it and give him your sassiest, sauciest look. By then, he will have got the hint, loud and clear! Prepare yourself for blast off…
Tights…Slide off her tights with a dirty look and even dirtier purpose. Trace wet kisses up and down her willing legs before tying her hands up.
Fabric…If you wear pricey clothes that you do not wish to render in the heat of passion, rip up an old sports t-shirt to use as an on-the-go blindfold.
Sleep mask…Put that sleeping mask you got on your last international flight to good use. After enjoying the playful pleasure awaiting you, your body will be so relaxed you will no longer need it Hands…Challenge your lover’s self-control and reward them accordingly. If he moves, Mistress will show him no mercy…None! Enjoy smacking that ass…The raw sound of the hit, the touch of your lover’s hand against your hot naked skin and those unrehearsed moans of pleasure bursting out your lips are amazing! Hair brush…Be greedy and enjoy both sides of your hair brush. The bristles can caress your lover’s skin; the flat part delivers a well deserved blow to his naughty ass.
Slippers…As a misbehaving child, were you ever threatened with a slipper spanking? Who would have guessed that you could enjoy giving and receiving this so much as an adult? Belt…Once you feel comfortable with your spanking technique, use a plain belt to deliver a harder, more controlled hit. Soon, your beloved’s butt cheeks will wiggle in sheer surprise and total delight. I am Dakini Devi Bliss, a Certified Tantric Practitioner, Educator and Blissful Bodyworker. A gifted, lifelong spiritual seeker, I have been formally trained in energetic aura manipulation, Kundalini awakening, Tantric healing, massage therapy and Reiki. In my multiple-disciplined approach, I manipulate sexual energy for the highest good. With a background in tantra, kundalini yoga, meditation, qi gong, energy work, sexual psychology and relationship coaching, I employ a uniquely rich healing blend for each client. My tantra training initiation was a lengthy process extending over several years, including studies in India, to gain the experience needed to teach others. My spiritually-based professional practice is ideal for those wish to open up to a higher, enlightened state. My work is geared for those interested in using tantra to create kundalini awakening and a deeper connection to their partner(s). I possess a nurturing, joyful nature with a peaceful warrior mindset. To book a session, please call me at 613 878-8179.
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| Unspoken | |||||
| Published: 149 days ago [ submited by ] | |||||
By Lisabet SaraiWe were together in my living room, kissing – pretty hot and heavy. After a while, I thought it was okay to move to the next stage, so I began caressing her breasts. “No – don’t…” she moaned into my mouth. So of course, I removed my hands. I was disappointed, but I figured I’d read her wrong.
She broke the kiss, sat back on the couch and gave me a look I really couldn’t interpret. “Why’d you stop?” Now I was confused. “Well – you told me to. My mom brought me up with the rule that ‘no means no’.” “I had to say no,” she replied. “I didn’t want you to think I was a slut. But I really wanted you to keep going.” ***
A male friend of mine recently told me the story above. We both shook our heads at the how easily authentic sexual communication can be derailed by societal norms, mismatched expectations, and personal secrets that aren’t shared. Of course, when you’re with a lover, much of the communication is non-verbal, but when the signals are mixed, how do you know what to believe? This conversation started me thinking about safewords. A safeword may be the only unambiguous and absolute form of sexual communication in existence. That’s its sole purpose – to convey the message “Stop” (and that’s why the actual word chosen doesn’t matter). Once a safeword has been established, the dominant is free to ignore protests and refusals by the sub – to assume that in fact the sub doesn’t “really” mean no, regardless of what she’s saying at any particular moment. In both the real world and in erotic fiction, though, submissives are reluctant to invoke that escape clause. Part of the resistance is a sense that by using the safeword, the bottom will somehow disappoint the top. In fact, a responsible top needs to trust the sub will safeword if necessary – that’s part of the contract involved in the power exchange. A sub may recognize this intellectually, but feelings are a different matter. Using the safeword makes a bottom feel ashamed and inadequate, as if she doesn’t have enough stamina or endurance to take whatever the top can dish out. Subs crave perfection – safewording makes it all too obvious that their devotion is flawed. (Note: this may of course not be true of all submissives. I’m speaking at least partly from personal experience here. Also, although I use the female pronoun for submissives, that’s purely for linguistic convenience.) I wonder, though, whether there’s another dynamic involved. Specifically, I wonder if ambiguity or uncertainty, the awareness that there are things left unspoken by both you and your partner(s), actually contributes to eroticism. Certainly, knowing exactly what your lover is thinking and what he or she is about to do strips a scene of some of its tension. When a lover asks me, “What do you want?” I’m reluctant to reply, not due to embarrassment (mostly) but because I want to be surprised. I don’t want to script my own sexual encounters. I’d rather be spontaneous, and have my lover do the same. Then there’s the question of taboos and transgression. You want to violate the rules, to push the limits, to go further than you’ve gone before. At the same time, you’re scared and uncomfortable. You’re really not sure what you want, in fact. How can one simultaneously crave and fear being flogged? And yet some of us do, and that hovering on the cusp between desire and denial adds intensity to the experience. I’ve been couching this theoretical proposition mostly in terms of BDSM, but it could well apply to non-kinky relationships as well. The sense of mystery enhances the thrill, especially when you’re with someone you don’t know very well – in a situation where sexual communication is likely to be the most fraught with uncertainty. If you knew everything running through your partner’s mind, your lust might well turn to disinterest or even disgust. Better to leave some things to the imagination – even if you risk misunderstandings. In writing erotic scenes, I’ve learned to let each participant keep some secrets. I believe this adds depth and authenticity. At the height of passion, we rarely speak of our past lovers – but they’re often present in our minds. Worried about rejection, we don’t share our deepest fears or our most fervent desires, even with long-established partners. And although I’ve always believed that open sexual communication is prima facie a Good Thing, perhaps that conclusion should be tempered by circumstance. On the other hand, two erotic scenarios that most strongly push my personal buttons involve complete openness. The first is the notion of telepathic connection during sex. This is a familiar trope in romantic erotica, particularly in the paranormal vein, but that doesn’t necessarily rob it of its effectiveness. There have been a few times in my life where I truly believed I was reading my lover’s mind, and vice versa. Despite the qualms I voiced a few paragraphs earlier, those were powerful, even life changing, erotic experiences. I’ve used the device in some of my own stories and it never fails to excite and move me. The second scenario involves a D/s relationship in which the submissive is “forced” to confess her kinky desires. The master or mistress requires full disclosure – no matter how filthy the content of her fantasies. To refuse to speak would constitute disobedience. And so, despite shame and embarrassment, the sub admits her kinks. She is rewarded by the dominant’s acceptance and approval, in contrast to the condemnation that would be the consequence in the vanilla world. I find this type of interaction incredibly arousing – both in fiction and reality. The Dom and sub are partners in exploring the depths of depravity. By revealing her secret needs, no matter how warped, the sub demonstrates her level of trust. Like using a safeword, this kind of revelation takes courage. A serious and skilled top will reward the bottom for being open – perhaps by bringing some of those fantasies to life. Still, there may be thoughts the sub doesn’t dare voice, even to the most accepting and amenable of Doms. Those (possibly very extreme) fantasies remain unspoken – but will the dominant somehow manage to intuit and act on them? (Perhaps using the mind-reading capabilities for which masters are known?) Don’t we all hold some things back, even from those with whom we are most intimate? Sorry to ramble. I’m curious to know what those of you who haven’t given up on this post yet think. Is total openness desirable in the erotic realm? Or do the secrets we keep add to the complexity and richness of sexual experience? |
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| Erotic Romance vs Erotica: Order vs Chaos | ||||||
| Published: 188 days ago [ submited by ] | ||||||
There are probably a number of outstanding erotica writers out there who have written delicious novels full of BDSM kinkiness wondering why their royalty checks don’t look anything like those of E.L. James. This post is an attempt to explore why that is, and how the Erotic Romance genre is, philosophically and politically, almost the binary opposite of Erotica. You would think that genres which predominantly focus on the nasty things two or more people get up to in bed would be closely related. Superficially, and commercially, they look very similar, but readers know they are not. Underneath the hood, ideologically, they stand almost in opposition to each other, despite the subject matter they share. Modern erotic romance novels conform to the mythic structure of a classical comedy described by Northrop Frye. People meet, they become lovers, chaos ensues, but social order is finally restored in the form of a wedding. Although most erotic romances no longer end with a wedding, the ‘Happily Ever After’ convention is maintained through the explicit culmination of the romance in some sort mutually agreed upon serious and long-term emotional commitment to each other. By the end of the story, we are left with a stable ‘family-like’ unit. We go from order to chaos to order. Even when the pairings in an erotic romance are non-normative, i.e. gay, lesbian, bi or trans romances, they still ultimately pay obeisance to the prevailing cultural dominance of a ‘normative’ relationship structure: two people, together forever. Even when the story revolves around a menage, it either ends with a pair at the end, and the third party neutralized somehow, or an hermetically sealed threesome that, for all intents and purposes, results in a place of domestic order. No amount of wild, kinky or transgressive sex in the middle can mitigate the final conservative outcome of a neat, socially recognizable and culturally settled bond. The outcome of all these stories is essentially a conservative one. One that supports and perpetuates the prevailing social order. I cannot recall who said it, but one very famous murder mystery writer once said that her readers were people who had a very passionate love of justice. No matter how gruesome the murders or thrillingly evil the murderer, he or she is inevitably caught and made to answer for the crimes. The convention of the genre demands it. The readers expect it and are left disgruntled and unsatisfied when the implicit promise of the narrative is not delivered. I would echo this by suggesting that, no matter how explicit, licentious or debauched the sex, erotic romances promise something similar. These two individual characters with their chaotic taste for erotic adventure find each other and this perfect matching up of desires neutralizes whatever destabilizing influences they might have on society. The inevitable pairing at the end guarantees the reader a return to emotional and sexual order. Erotic Romance lovers are essentially ideologically conservative in their appreciation of a restoration of the social order. But, according to Georges Bataille (the French writer and thinker who spent more time considering eroticism that almost anyone else on the planet) this conservative social order and eroticism are almost mutually exclusive. Eroticism, said Bataille, is a uniquely human phenomenon that results from an excess of sexual energy. (Unlike almost all other animals, humans indulge in sex far more than the continuation of the species demands. Our instinct to have sex might be procreative, but our desire to have it far outstrips the needs of nature.) This excess, this eroticism, is a dangerous and destabilizing force, he said. Which is exactly why all cultures, in one way or another, have attempted to control the effects of this energy and why so many of our religions, taboos and customs are especially focused on matters of sexuality and violence. Foremost amongst the mechanisms used to control these desires is the institution of marriage and the promotion of monogamous, procreative relationships. Bataille, Lacan, Zizek, Deleuze, and others have made interesting observations on how one of the most effective ways to control humans within society is through work. Work occupies us, distracts us, commits us to the social order. Spouses, mortgages, and 2.3 children turn out to be a very good way to keep us occupied, working to support them. So the myth of the romantic ideal of the permanent single partner whom we lust after in perpetuity and love eternally serves that hegemonic structure well. Perpetuating that myth through erotic romances encourages us to aspire to that myth in reality, make it our loftiest of all goals, and ultimately to internalize and validate that authority and its rules of social order with enthusiasm. But the reality is that eroticism is a fleeting, liminal human experience. It does not – cannot – last long. And it would not be so attractive or precious to us if it could. Erotic heights are by their nature impermanent, chaotic, and fundamentally transgressive. Our greatest erotic experiences occur right at the edges of the limits imposed not only from without (in the form of prohibitions, taboos and religious interdictions) but more importantly, at our inner limits of the rules of behaviour we have internalized. Erotic ecstasy is the place where we lose ourselves, not just to another, but to the structured world. This, of course, cannot be sustained. Or rather, it can only be sustained in death. A person who gives themselves permission to enter this state of erotic rebellion is an anathema to the fabric of social order, since none of the rewards that society can offer them have any value in that moment. They are in a state of revolution against the stable, against categorization, against limitation, against even language itself. And this is what lies at the heart of all the best erotica. This essentially transgressive, anarchic, unconstrained state of being. It took me a fairly long time to fathom why I, as a writer and reader, had such a deep antipathy toward the narrative structure of erotic romance. What’s wrong with me? Why don’t I like a good love story? Why can’t my characters end up blissfully happy and together forever? I have come to feel that the underlying text of the story-form of the erotic romance is a type of conservative social propaganda. Not ‘unfeminist’ as some feminists have claimed, but simply reflective and supportive of the status quo as regards all our positions as productive, functioning and controllable members of the current social structure. I am, at heart, deeply anti-authoritarian. And although in my everyday life, I am a quite a law-abiding, acquiescent citizen, I am not interested in taking that part of my world into my fictional writing. The eroticism that does interest me lies in the opposite direction: that place of impermanence, transgression, and dangerous erotic experience. Its very instability is what I find so blindingly beautiful, intriguing and exciting. So it is really not so very surprising that, despite the veneer of transgressiveness, Fifty Shades of Grey has done so much better than well-written, more erotic, more informed pieces of erotic fiction. Because beneath all the surface naughtiness, E.L. James’ ‘global shocker’ strongly reinforces a very stable and conservative social order. And, the truth is, most readers are far more comfortable with that. (And before anyone jumps all over me, I would like to underscore that I’ve used the word ‘conservative’ to mean ideologically at home with the status quo and traditional social structures. I haven’t accused anyone here of voting Republican.) |
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| Engaging the Senses | |||||
| Published: 302 days ago [ submited by ] | |||||
By Lisabet Sarai How do you make your stories come alive for readers? One important factor is your ability to engage their senses. When you give readers some idea of how your fictional world smells, sounds, tastes, and feels, their vicarious experience becomes more vivid and compelling. (I left the sense of vision off the list above because most authors already describe how things look.) In erotica and erotic romance, of course, sensory details become even more critical, because sex is such an intensely physical activity and because arousal depends so much on non-visual stimuli such as touch and smell. Personally, I find it quite difficult to come up with effective sensory descriptions. All too often, I sit there at my computer, a scene playing out in my mind, knowing how it would feel, smell and taste, but finding myself at a loss as to how to convey those impressions in language.
The fact is, words can never adequately capture the nuances of sensory perception. Actually, all you can hope to do is trigger the recollection of sensation on the part of your reader. Your words must act as cues that evoke a kind of recognition. Ah, yes, you want your reader to think, I know how my nipples feel when I’m turned on – like I’ll die if someone doesn’t touch me. I remember how my husband smells when we’ve been working out in the yard all day and he hasn’t showered. I can call up the slightly bitter taste of semen, the salt-and-iron flavor of blood. I know the crinkly sound a condom packaging opening and the gasp of lube spurting into a palm. Actually, of course, conscious thought isn’t what’s going on. Descriptions evoke emotion via recognition or imagination.
Starting this post (without really knowing where I was going) led me to consider what strategies we authors have at our disposal to work this little trick. It seems to me that there are three basic methods for engaging the senses: adjectives, metaphors, and mirroring.
Adjectives, of course, exist to describe. The trouble is, the most obvious adjectives are frequently overused. Again and again, I find myself describing skin as “smooth”, voices as “low”,”rich” and “melodious”, the scent of arousal as “musky”, the taste of muscular flesh as “salty”. Bring out the thesaurus, I can hear you say, and I do. However, it’s not necessarily a better solution to use some other term that is less frequent in the language (and thus more difficult to understand) or perhaps not exactly right for the sensation I’m trying to convey.
Let’s try “smooth”, as an example. When I dig out my trusty Roget, I find three inches of entries in the index under “smooth”. I guess “smooth-textured” is the closest to my meaning when I’m writing (for example) about the feel of a man’s erect organ in one’s hand or mouth. I flip to entry 287.9 (287 as a whole is “smoothness”) and find the following:
sleek, slick, glossy, shiny, gleaming; silky, silken, satiny, velvety; polished, burnished, furbished; buffed, rubbed, finished; varnished, lacquered, shellacked, glazed; glassy.
Aside from silky, silken, satiny, and velvety, which are metaphoric, which of the above adjectives would be a better description for my hero’s penis than “smooth”? It might be “slick”, but only if I’ve already dispensed the lube (or I have a ménage going on). “Sleek” seems to me to have a different meaning, and also to be a strange description for part of a man (though you might talk about sleek hair). “Gleaming”, “shiny” and so on refer to the sense of sight, not touch. I would imagine that my hypothetical penis would be “rubbed”, but not in the sense mean here! I rather like the notion of a “laquered” penis, but that would have to be a sex toy, not the real thing!
So in fact, my hackneyed adjective “smooth” may be the best choice, at least among the options here. Sigh. (I’d be interested in hearing other suggestions.)
Metaphors work by explicitly stating or implying a comparison between the sensation being described and some other well-known or prototypical sensory experience. (Actually, an explicit comparison is called a simile, but the effect is the same.) “Silky”, “satiny” and “velvety” are all metaphorical when used to describe skin. They refer to three different textures, associated with different types of fabric. I’ve used all three of them – a lot. In general, I rely on metaphor for the bulk of my sensory descriptions. Excitement is likened to electricity or fire. Pleasure is described as melting or boiling, compared to slow-pouring honey or breath-stealing race cars.
Metaphors offer a far wider variety of options for sensory description. First, one can draw on the full range of natural and artificial phenomena as potential sources of metaphor. Second, we already understand and describe our experiences in metaphorical terms. We talk about “burning” pain, a “heavy” heart, “biting” sarcasm or a “bitter” argument. Strictly speaking, these are all metaphors.
But metaphor can be overdone, too. I know, because this is one of my weaknesses. Over-reliance on metaphor to describe physical sensations can end up distancing the reader from your character, rather than bringing her closer. This is particularly true if the metaphor is “strained” (a metaphor in itself) – if basis of the implied comparison is not immediately obvious or possibly inappropriate. Overuse of metaphor can also make writing sound overly precious and “literary”.
Mirroring is the third alternative for engaging the senses. Don’t go looking up this strategy in your writing text books; I just came up with this name, though I’m sure many of you use this technique, consciously or unconsciously. What do I mean by mirroring? Instead of describing the sensations themselves, you describe the character’s thoughts and/or reactions to those sensations.
Here’s a short excerpt from my BDSM erotic romance novella The Understudy. It uses all three techniques, but relies quite heavily on mirroring. I’ve highlighted in red the sentences where I’m using the character’s reactions or thoughts to imply sensation.
**** Geoffrey positioned himself between my splayed thighs. “Remember, Sarah,” he said. “Be still.” Then he rammed his cock all the way into my cunt in one fierce stroke.
The force drove the breath from my lungs. The fullness made me suck the air back in. If I hadn’t been so wet, he would have torn me apart, but as it was my flesh parted for him as though sliced open.
My pussy clenched reflexively around his invading bulk, but otherwise I managed to avoid moving. His eyes, locked with mine, told me he approved. His hardness pressed against my engorged clit. A climax loomed, then faded away as he kept me there, motionless, pinned to the bed.
He pulled mostly out. My hungry cunt fluttered, empty for an instant. He drove back into me, harder than before. I strained against the bars, struggling not to jerk and writhe as his cock plunged in and out of my cunt like a pile-driver.
God, it felt good! His roughness somehow heightened the pleasure. I was his, to use and abuse. His fuck toy, just as he had said. At that moment, that was all I wanted to be.
****
I am not holding my own writing up as a model here. I’m merely trying to illustrate what I mean by “mirroring”. There’s very little direct description of sensation in this passage but I hope that it evokes the intensity of this experience for my heroine. I don’t know if this analysis is any help. It’s still agony to come up with vivid, original sensory descriptions. I remember recently, for instance, I was trying to describe the smell of freshly brewed coffee. How would you convey that unique sensation? You recognize it in an instant, but what are the characteristics of the smell?
Warm. Rich. Dark. Earthy. Sweet? Stimulating. Mouth-watering (that’s mirroring, really). Complex. Chocolatey (a metaphor). Roasted (but can you really smell that)?
I’m getting nowhere here. Maybe you’d like to give it a try. Maybe you’ll be more successful that I am. And I’d love to know what techniques you use to engage your readers’ senses!
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| Why Fifty Shades of Grey Matters | ||||||
| Published: 340 days ago [ submited by ] | ||||||
On the social consumption of sin as spectacle & its exploitation in the marketplaceI’ve run across a number of erotica writers who’ve said they haven’t and won’t be reading Fifty Shades of Grey. In all honestly, this blows my mind. You can try to dismiss it, as many critics have, by calling it ‘mommy porn’. You can deplore its writing style – lord knows, even die-hard fans don’t attempt to defend the poor quality of the prose. But you can’t ignore the fact that it has now sold over 20 Million copies in the US. In the UK it became the fastest selling novel of all time. As writers, it is important for us to interrogate its success and to attempt to understand what it means for the genre, for levels of explicitness in mainstream fiction, and for the way publishers are going to inevitably behave in the light of it. I have a theory. Less than three years ago, some very prominent writers and agents in the publishing world told me, flatly, that there was no market erotica. It was unsaleable. It was a niche product that held little interest for them and would tick along at its own obscure pace. You can put sex in your murder mystery, or your sci-fi novel, or your romance, they said. But a straight-up erotic novel, with sexual desire as a central theme, was simply not saleable. But they were wrong. I think that the rising levels of explicit sexuality in film, television, and the ubiquity of porn on the web meant that there was a large mainstream audience whose tolerance for and interest in fiction with heavy erotic content had been growing for years. And it is a comment on just how out of touch mainstream publishers have been with their market that, with a very few exceptions that were associated with individual authors, they did not cotton onto it. Many, many well written erotic novels, with good character development and credible plots, came across their desks and they slush-piled them. Along comes Fifty Shades of Grey. A novel that started off as Twilight fanfic, and gained a considerable devoted audience within that context. Its author, E.L. James, is a retired television executive who had some advantages over most erotica writers. She knew the media landscape and the concept of ‘audience’ very well. She understood her own work as ‘marketable property’. She had a keen sense of how to pitch the work just right to convince publishers that they should reconsider their ambivalence toward erotica. But mostly, I think she had an instinctive understanding of how a mainstream public needed to find engagement with kinky sex, while providing them with a moral escape clause. Fifty Shades of Grey does an interesting dance with the explicit. It revels in the details of the taboo of BDSM while seeming to condemn it. Like the torrid pseudo-journalistic pieces written about Tiger William’s illicit affair, it whispers to a rather creepy corner of the mainstream psyche which has a propensity to enjoy the titillation inherent in a sin while, at the same time, censuring Mr. Williams for being such a faithless bastard. And many, many readers love this. They can masturbate furiously to the scenes played out in the Red Room of Pain, while waiting for the heroine to cure Mr. Grey of his perversions. I am reminded of the masses who enjoyed the spectacle of the Salem Witch Trials or denunciations of heretics during the Spanish Inquisition. “She consorted lewdly with the Devil!” the inquisitor proclaims, partly for the judges but loudly enough to entertain the masses. He lovingly details the proof of her perfidy. The women gasp and feel a quiver between their thighs right before they all scream, “Burn the witch!” If you’ve never seen Ken Russell’s “The Witches“, based on the historical events of the trials of the witches in Loudun, France, in 1634, you should. He understood and then illustrated the eroticism and hypocrisy that plays out in these sorts of public discourse on morality and sin with an insight that few others have. I don’t think a large portion of mainstream society has evolved much since then. And for erotica writers, who usually situate themselves firmly in the sex-positive camp, this is very hard to comprehend. We write novels about how erotic experience and the exploration of new sexual territories helps us grow as individuals. For us, sex in a doorway. Very often our themes are about revelation, completion, redemption through experience. Not through shame or rejection or closing down our sexual options. From the point of view of mainstream publishers, Fifty Shades of Grey is simply a very successful product. In the last year, in the editorial boardrooms in London and New York, large publishers have spent time analyzing the success of the novel and figuring out how they can get on the bandwagon. They may not be risk-takers when it comes to new literary product anymore, but they’re damn good post-game quarterbackers. The moral dynamics that underlie FSOG will not have escaped them, nor will the poor quality of the writing. If you had hoped to produce a ‘better written Fifty Shades’: “Thirty Shades of Grammar” or “Eighty Shades of Character Development” or “Twenty-Six Shades of Plot”, I don’t think your efforts are going to be appreciated. Publishers have proof that the vast majority of people who have bought, read and enjoyed the series simply don’t care about the quality of the writing. In fact, its very hamfistedness may play a subtextual role in convincing the reader of Anastasia’s innocence and her genuine desire to cure the perverted Mr. Grey. Of course, in the over 40 million world-wide readers, some of them will wish for and seek out better written erotica. And there will be some who are emotionally and sexually honest enough to admit the BDSM in the novel was what drew them to it and felt unaccountably let down when the heroine finally succeeds in leading Mr. Grey into the vanilla light. It will not be a large percentage of them. And, consequently, there will be something upsurge in erotica sales for years to come. But I don’t believe it will be the explosion we are hoping for. I genuinely hope I’m wrong in this, but I don’t think I am. Nonetheless, we may have gained a few more intrepid souls. |
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| DARK TANTRA…TIPS & TRICKS | ||||||
| Published: 421 days ago [ submited by Dakini Bliss ] | ||||||
Dark Tantra and S&M play does not solely involve techniques and toys. Rather, it’s another way to establish connection and express your creative side, creating a deeper, more meaningful shared experience with your beloved.
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| Commission: Oh Oh! | |||||
| Published: 437 days ago [ submited by Russkere ] | |||||
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| Demons and Angels | |||||
| Published: 658 days ago [ submited by SvartPrins ] | |||||
However, this is not what I wanted to talk about today. Instead I’m going to have to go off on a little rant about how frustrated I am with my own lack of ability to realize the images in my head. Simply put, I feel like I’m not improving. Internally, I am very perfectionistic and demand a lot of myself and the world, though I may not show it in real life. Once I get an idea in my head I can be excited and passionate about it, but then as I’m about to get to work with it I realize I need to organize the idea and think it through, and it always kills the joy of drawing the picture for me. Everytime I finish a picture, I feel as if it’s not as good as it should have been, but at the same time I’m so exhausted from working on it that I almost don’t want to look at the illustration anymore. I may appear as if I have a lot of confidence and a lot of other artists on the net have been a little intimidated by my pics and think they look very artistic and professional, but in reality I feel like an underdog who still hasn’t gotten very far from the starting point. In this image I got seriously stuck on the background. I wanted to draw a burning lake, the biblical hell, so I went with water color and looked at some water references, but all the time I painted it I felt like the 12 year old me from elementary school, desperately trying to not make my drawing look like shit. When I look at some of the masters in the field of erotic pin-ups, like Sorayama, I still get blown away. To get every single detail so perfect and photorealistic, I used to think Sorayama and similar artists drew on very large canvas or paper, which would make the print look flawless when reduced in size, but now I know from photos and videos of his work studio that his images are exactly the same size as mine: I want to practice and improve my skills a little, and see which type of tools are most suited to my ability and ideas. |
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| Mistletoe Studs by Amber Skyze | |||||
| Published: 824 days ago [ submited by GOT EROTIC ROMANCE? ] | |||||
Title: Mistletoe Studs Author: Amber Skyze Publisher: Aspen Mountain Press Publication Date: 2008 ISBN: 978 – 1 – 60168 – 172 – 0 Genre: BDSM. Ménage, contemporary, romance, Holiday Length: 62 pages Buy Link Author Website Author Email Rating: 4 Diamonds Heat Level: erotic Other: anal/oral play, sex games, BDSM, ménage Reviewer: Gabrielle Date: 3/17/11 Not willing to spend the |
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| Graceful Mischief by Melinda Barron | |||||
| Published: 902 days ago [ submited by GOT EROTIC ROMANCE? ] | |||||
Title: Graceful Mischief Author: Melinda Barron Publisher: Loose Id Publication Date: October 2007 ISBN: 978-1-59632-182-3 Genre: Romance, BDSM, and Holiday Length: 24 pages Buy Link Author Website |
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| Hawkeye Two: Bend Me Over by Sierra Cartwright | |||||
| Published: 903 days ago [ submited by GOT EROTIC ROMANCE? ] | |||||
Title: Hawkeye Two: Bend Me Over Author: Sierra Cartwright Publisher: Loose Id Publication Date: November 2009 ISBN: 978-1-60737-442-8 Genre: BDSM, Romance Length: 154 pages Buy Link Author Website Author Email- website contactRating: 4 Diamonds Heat Level: Erotic Other: anal/oral play, BDSM Reviewer: Gabrielle Date: 12/28/10 Aimee is not happy when |
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| Claiming Earth: Delori Connection: Book 4 by Loribelle Hunt | |||||
| Published: 906 days ago [ submited by GOT EROTIC ROMANCE? ] | |||||
Title: Claiming Earth: Delori Connection: Book 4 Author: Loribelle Hunt Publisher: Liquid Silver Books Publication Date: 2010 ISBN: 978-1-59578-712-5 Genre: Science Fiction, BDSM Length: 69 pages Buy Link Author Website Author Email Rating: 4 Diamonds Heat Level: Erotic Other: anal/oral play, BDSM Reviewer: Gabrielle Date: 12/26/10 In this continuation of the Delori Connection |
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| Bound to Surrender by Tess Lamont | |||||
| Published: 916 days ago [ submited by GOT EROTIC ROMANCE? ] | |||||
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--> I like the term “sensation play” and the ability to instill erotic joy in a relationship. What is sensation play? Likely, you’ve heard about BDSM. It really is about having your partner feel different sensations. Married couples may think, “I could never involve my spouse in bdsm” even in a fun way. I had thought that for years with my wife. BDSM may seem too intense or degrading. So erase it from your mind and instead consider it as giving your partner surprises and sensations that he or she would otherwise not experience.
Spanking is one of the sensations I now use with my wife and I’ve increased the intensity of them. She can take a pretty good spanking which is fun to give and fun to see her cute bottom turn slightly red.
A blindfold is another way to give surprises and sensations. Buy a silk scarf from a department store or a blindfold from a drugstore outlet. The cost is quite affordable. Once your partner is wearing a blindfold and can’t see, they need to know they can trust you. Using massage oil on them is another way to give a pleasant sensation.
Monday night we had the house to ourselves and though we had some calls to make we decided to have sex. While I got out the toys, I wound up not using any. Instead a few spanks, licking and massage oil did just fine. Sensations we produced were powerful and resulted in an orgasmic great time. I’ll do some more postings on sensation play for erotic joy.
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